{"id":17248,"date":"2023-07-15T11:42:42","date_gmt":"2023-07-15T15:42:42","guid":{"rendered":"https:\/\/audioapartment.com\/?p=17248"},"modified":"2023-07-15T11:42:46","modified_gmt":"2023-07-15T15:42:46","slug":"what-is-musique-concrete-in-the-context-of-music","status":"publish","type":"post","link":"https:\/\/audioapartment.com\/music-theory-and-composition\/what-is-musique-concrete-in-the-context-of-music\/","title":{"rendered":"What is Musique Concr\u00e8te? A Deep Dive into the Music Genre Revolution"},"content":{"rendered":"\n
Welcome to our exploration into the remarkable world of sound that is ‘musique concr\u00e8te’. If you’ve ever been captivated by the rhythmic pattern of a train journey or the symphony of a bustling city, then you’ve touched the fringes of this fascinating genre. Join us as we delve deeper into the world of musique concr\u00e8te<\/strong>, shedding light on its history, pioneers, and enduring influence on the music landscape.<\/p>\n\n\n\n What is musique concr\u00e8te in the context of music?<\/strong>\u00a0Musique concr\u00e8te is a genre of experimental music that emerged in the mid-20th century, pioneered by composers such as Pierre Schaeffer and Pierre Henry. It is characterized by the composition and manipulation of sounds recorded from the real world, as opposed to traditional musical instruments.<\/p>\n\n\n\n The cornerstone of musique concr\u00e8te is its disregard for the restrictions of traditional musical instruments and theory. Now, you might be wondering, how can music ignore instruments? Well, that’s what makes musique concr\u00e8te so mind-blowing. It said “nah” to conventional limits and decided to take a stroll down the road less traveled.<\/p>\n\n\n\n The idea was to create music that wasn’t bound by the rules of the typical rhythms and melodies you’ll find in your standard bops. <\/p><\/blockquote><\/figure>\n\n\n\n Pierre Schaeffer<\/strong>, the main man behind this revolutionary genre, instead took an approach where the composer starts with a set of \u201cconcrete\u201d sounds, arranging them into pieces of music. This could include anything from the strumming of a guitar to the crashing of waves against a cliffside. The idea was to create music that wasn’t bound by the rules of the typical rhythms and melodies you’ll find in your standard bops. It’s like a DJ Khaled “another one” moment, but for the entire music industry, y’know what I mean?<\/p>\n\n\n\n Dive with me back into our\u00a0tubular time machine to 1948 France<\/strong>. Picture those retro shellac record players, recorders, mechanical reverberation (so analog, right?), filters, and archaic microphones. This was the playground where Schaeffer and his colleagues first started to toy with the eccentric vibes of musique concr\u00e8te.<\/p>\n\n\n\n The big game-changer here was the use of recordings at different speeds. It’s kinda like drifting through musical dimensions. Schaeffer’s initial foray into the genre, “\u00c9tude aux chemins de fer,” was the first piece to capture this innovative style, effectively creating a new mental framework for how to compose music.<\/p>\n\n\n\n The birth of musique concr\u00e8te is all about the evolution of sound manipulation. Schaeffer dived deep into the DNA of sound itself, exploring the acoustic properties of recordings to construct a brand-new musical landscape. He tinkered with the pitch<\/a>, speed, and looping of everyday sounds, creating unheard combinations that painted an immersive auditory picture. Imagine this: even a record glitch was a component of the music. Crazy, huh?<\/p>\n\n\n\n Oh yeah, you bet! The introduction of the tape recorder into Schaeffer’s studio in 1951 was a significant turning point for musique concr\u00e8te. With the magical power to manipulate sound snippets, create loops, and alter speeds, these bad boys allowed for the birth of a revolutionary composition process. Essentially, they were the great-great-granddads of today’s DAW.<\/p>\n\n\n\nHow did musique concr\u00e8te ditch traditional instruments?<\/h2>\n\n\n\n
How did musique concr\u00e8te originate?<\/h2>\n\n\n\n
How did musique concr\u00e8te manipulate sounds?<\/h3>\n\n\n\n
Did tape recorders play a big role in musique concr\u00e8te?<\/h3>\n\n\n\n